Fahrenheit Absolute by Christian Dior (2009)

Nose: François Demachy

Flowers out of black asphalt. It wasn’t surely easy to come up with a successful flanker of such a pillar as Fahrenheit, but this Absolute version, well, “absolutely” nails it. The connection with Fahnrenheit is as much subtle as clear in fact: the same sort of oil-leather accord, that “asphalt” terpenic note, is here too. But with a definitely charming and kind of more “modern-transparent” twist: less leathery and more rubbery, silkier, cozier, more mellow, with a tremendous powdery accord of violet (and lavender?) which adds a sprinkle of talc to Fahrenheit’s signature darkness. The darker side of Absolute is the main connection with the original version, but it’s still quite different enough to be appreciated as a different fragrance. First of all it’s not as deep and overwhelming as in Fahrenheit, and as I said is also less centered on leather and more on a synthetic, smoky oud note (more rubbery smoke than oud, actually); plus it’s overall far more discreet, velvety, refined, with an almost “liturgical” vibe underneath. It may be resins or something quite close to incense, but I do get an intimate, kind of meditative dark feel out of this Absolute. Still with a really modern, kind of “retro-futuristic” pungent metallic nuance. And soapy shades. Simple but fantastic, a truly remarkable modern take on a classic. With a really enjoyable “whiter” drydown, powder on black rubber. The name of this flanker is definitely misleading; one may expect a thicker, bolder version of Fahrenheit, while this is a rather gentler and way smoother version of it. Darker, in a more subtle way – quiet, gloomy and smoky. By no means I would consider duller or simpler than the original Fahnreheit, though; just a really creative different version of it, maybe a bit more sophisticated, meditative, somehow more shady and ambiguous. Extremely fascinating and great to wear, and above all, with the same distinctive creativity that made Fahrenheit beyond unique.


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