Showing posts with label Acqua di Parma. Show all posts
Showing posts with label Acqua di Parma. Show all posts

Colonia Intensa Oud by Acqua di Parma (2012)



Well, nothing more and nothing less than one may expect from an “oud” take on Acqua di Parma Colonia. A wannabe-posh, soapy, sheer, very smooth (and very synthetic) sort of citrus-floral-musk blend infused with a dark, rubbery, bitter yet overall quite tamed down and exceedingly artificial woody accord of oud and birch, becoming drier and muskier as hours pass. I must say that somehow, the initial “fizzy-soapy” frame which comprises the oud accord works, and makes Colonia Oud smell as a fairly pleasant sort of “bright oud” with a laundry vibe. There’s a tangy sort of citrus-geranium accord which fits in surprisingly well. Given the bitter rubbery dirtiness of the synthetic oud note, it creates quite a pleasant play of contrasts – which will eventually fade away and leave the stage mostly to rubber and synthetic woods, but until it’s there, it’s nice. Still though, even considering that, it’s all really too cheap and ultimately uninspired to sparkle some interest. The “Colonia” side is just as flat and artificial as in the Intensa version (I’m still wondering how the Colonia line can comprise gems like the Assoluta next to utter garbage like the Intensa), and the oud accord is for me nothing different from any drugstore oud accord you can find anywhere these days. The price and the “luxury” packaging would let you think we’re in the same ballpark of something like, say, Dior Leather Oud, but truth is, we’re more close to Ferrari Oud, or Versace Oud, a Montale imitation dupe or whatever other lower-key designer ouds. Just a matter of quality: flat, synthetic, as much generically refined as completely “muted”. Nothing against that class of scents by the way, but there’s a reason if they cost three or four times less than this.

Not sure why (or well, reading what I just wrote until now, I can see why actually), but at the very first sniff my mind just came out with a spontaneous association – “what an airport fragrance this is”. Out of the blue, I just imagined a mid-level manager waiting for his plane. Not a wealthy businessman snorting fine complimentary cocaine in some vip lounge, just some ordinary businessman playing with an empty cracked bottle of water, boring the hell out of himself, probably needing a shower after a two hours taxi ride to the airport. Think of focusing your nose on some details – the citrus musky cologne he wore before leaving the motel now mixing with sweat, the cheap smell of his ready-to-wear laundered suit, the rubbery smell of his trolley bag and of the airport seats, the overall sense of suspended, depressing boredom which fills such “non-places” like airports. That’s the mood of Acqua di Parma Oud, basically somehow a sort of slightly more pretentious “office scent” with a professional look (not refined, not sophisticated, just “professional”) and subtle dirtier vein. And by that I don’t mean something “sexy” , just literally dirty, sweaty and rubbery. It’s all filled with a nondescript, quite deep feeling of restrained, unemotional “nothingness”. And well, it smells a bit more cheap than it should anyway. Not blatantly cheap and not completely tragic, but definitely unworthy the price tag. Kind of similar to Indonesian Oud by Zegna (and just as much dull as that).

5,5-6/10

Colonia Club by Acqua di Parma (2015)

I normally review anything I get my nose on on Basenotes, Fragrantica and Parfumo, reserving my blog for the most interesting stuff - either really good, really bad, or really new. This is really new and that's the only reason I'm posting the review here, as otherwise it wouldn't really deserve any particular attention.



The opening of Colonia Club strikes me as an overpriced, apparently fancier but still quite cheap fragrant version of the almighty Proraso shaving cream, with that classic minty-citrus-woody blast rounded by a musky soapy feel. I mentioned Proraso but you can name any other popular, proletarian-to-middle-class old school green shaving cream/aftershave, mostly the ones in fashion in Italy and Central Europe from the Sixties on. The balsamic mintiness is quite powerful at first in Colonia Club, and I admit its realistic, nose-tingling, pore-unclogging vibrancy is quite enjoyable. But once that phase ends in a matter of minutes, all you remain with is a decent, mannered, really classic (and that’s good) desperately mediocre (and that’s bad) clone of a clone of any of the countless clones of any “classic green fragrances” from post-war aftershaves to Ralph Lauren Polo, Vidal’s Pino Silvestre or dozens of obscure “Aguas” from the Eighties, stuffed with synthetic musk with a whiff of carnation and green-earthy notes. Don’t get me wrong, Colonia Club smells linearly and flatly decent, but countless of other fragrances and aftershaves do this same exact job at a fraction of its price. As for many other Acqua di Parma fragrances, I don’t really see the quality gaps or benefits justifying the cost.

5/10

Acqua di Parma Roundup

Three of them barely make a good one, so here's a three-six in a row.

***

Acqua di Parma Colonia Assoluta by Acqua di Parma




Year: 2003
Nose: Bertrand Duchaufour, Jean-Claude Ellena

Nice, pleasant, invigorating citrus and bergamot opening on mellow aromatic woods – sandal and cedar, I guess. A talcum, powdery, musky heart of flower petals, a solid but very subtle base of patchouli, vanillin and (synthetic) oak moss, which gets more and more earthy while the first more volatile notes vanish. So basically nothing new, but still decently executed. I also detect the peculiar, piquant-fruity note of pepper and pimiento. What you get after a while is a persistent, sweet, gentle musky drydown with just a tiny hint of dusty earthy notes and a vague feel of powdery white flowers. Bit boring after a while. Frankly the start is better than the evolution, but it's indeed a clear, laid-back, cozy, (overpriced) modern eau de cologne.

6/10

***

Acqua Di Parma Magnolia Nobile by Acqua di Parma



Year: 2011
Nose: Antoine Maisondieu

A simple and bright accord of citrus, white flowers and aromatic woods, with a talcum/soapy feel and a sweet musky base (I don't want to sound repetitive and use that "sweet soft musky shampoo base" aromachemical name again...). It gets slightly mentholated after a while. Pale and suave like a Victorian girl. The floral notes are there, but they are developed in a way I do not enjoy much - somehow plain, restrained and innocuous. It's like watching a photoshooting on a travels' magazine: still good, but you crave for "the real feel". Clean and pleasant, but to me, a bit dull.

6/10

***

Blu Mediterraneo Bergamotto di Calabria by Acqua di Parma



Year: 2010
Nose: Unknown

Pleasant, powerful opening, not much deep neither rich (we're in quite a chemical realm here, forget the "Bergamot of Calabria" – more "Autan insecticide" - maybe purchased in Calabria, that's fine). Classic summer cologne base of delicate flowers, ginger, aromatic woods. After a while you get the vetiver note better. Mellow soft musky feel. Must say it is barely pleasant, and plus, it "tones down" in a matter of minutes, becoming a subtle, close-to-skin floral/talcum scent with fresh notes and a slight aromatic vetiver feel. Basically a decent, super safe and quite elegant "eau de cologne" like plenty of others. Strictly for "parvenus". Short persistence.

6/10