Showing posts with label Montale. Show all posts
Showing posts with label Montale. Show all posts

(almost) new line: Monotheme Black Label

Monotheme: Black Label is a sort of "niche" line launched in 2013 by Monotheme, an ultra-cheap Italian brand of perfumes produced by Mavive (which is the house behind popular supermarket scents like Pino Silvestre, Police, Zippo and so on). The line comprises four scents allegedly inspired by "Oriental" fragrances, while to me they look more like inspired to what's trendy at the moment - but it's fine. They are possibly among the most inexpensive fragrances on the market here in Italy. And guess what? They're almost all quite nice, taking the price into account.




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Leather

This fragrance is apparently known for being one of the nicest and more faithful clones of Tuscan Leather, and if you want to skip my boring review, heres my opinion on that: it is. It's almost identical to Tuscan Leather, pretty much as Golden Boy by Dueto, but at a far cheaper price, which makes it more appealing to me. Monotheme Leather sells here in Italy for the quite unbelievable price tag of some 15-16 EUR for 100 ml. And the bottle & packaging are even quite nice to be honest. Well, anyway: the same exact suederal-safraleine polished and clean leather note you smell in so many contemporary leather scents, smoky and urban, well sweetened by fruity hints providing a pleasant, warm and velvety feel, on discreet woods and warm, sweet-dusty resins. Pretty much all, for hours. The fact that it smells undoubtedly similar to Tuscan Leather does not mean obviously that this is a masterpiece scent they stupidly sell off at ridicolously low prices; on the contrary, rather it's a (unnecessary, in my opinion) evidence of how Tuscan Leather is crazily overpriced. Monotheme Leather kindly shows you how something like Tuscan Leather can be produced and sold at a (literal) fraction of the price. Projection and persistence are totally compelling, it lasts for hours and projects just sharp and clear. On the drydown it gets drier and darker, more woody and austere, with just a bit less sweetness and warmth. Now, obviously there is some differences with Tuscan Leather if you are still interested int that comparison: I said they are almost identical, but Monotheme Leather smells just a bit more synthetic, less rich and less smoky than Ford's, and is also a bit more linear overall. But these details and differences wouldn't really justify the enormous price gap for me: unless you're really obsessed with Tom Ford, just take this Monotheme Leather and you'll be happy with a totally decent, classy, well-made and solid contemporary leather fragrance (or Dueto's Golden Boy if you feel ashamed in buying ultra-cheap scents). At this surreal price, totally worthy the blind buy for me, even just as an easy-going office scent. Kudos to Mavive for producing such a decent scent at a totally humble and honest price.

7-7,5/10

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Rose Oud

As the name goes, Rose Oud is a more-than-decent rose & oud scent, soapy and dark, with a zesty-candied touch and a musky, slightly camphorous base. And oud, obviously, that type of woody-rubbery synthetic note we’ve been so used in the recent years. Overall a bit plastic and not that original (not to say mediocre), but honestly, in my opinion acceptably pleasant to wear, especially if you like that sort of “glamorous” dark refinement of rose-oud scents. The thing is, and I say that after having tested countless cheap (but costly) niche scents with the same accords, that Rose Oud is identical - and I mean it literally - to pretty much any “mid-level” niche rose-oud scent, so think of any Montale, or Mancera and similar products. Mostly Montale: I instantly thought of so many of their “Aoud Whatever Petals” fragrances. It smells exactly like that, to any extent: but (as for Leather by this same brand), this costs ten times less than them. And this to me “allows it” to be a bit mediocre and synthetic: at least you get what you pay for, quality-wise (no, actually here you even get more value than you pay for). I always criticized Montale and similar brands mostly because of the quality/price issue, while now, I’m giving this a higher rate just because I see something with, finally, a fair price. Actually even too low for the quality. Rose Oud is nothing extraordinary, but it’s well-made, smells nice (even quite classy), lasts long and is totally unpretentious: a perfectly compelling, more-than-affordable and valuable alternative to so many synthetic rose-oud scents currently cloying the market.

6,5-7/10

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Black Oud

Among the four offerings in the Black Label range, this is by far the worst of them all. Total “no” for me: even for such a low price, it’s completely tragic in my opinion. Basically, I get neither “oud” (not even the most synthetic one), nor the “black”. Black Oud is on the contrary a sort of white-gray gourmand, quite soapy and heavily synthetic, which smells something halfway a cheap bath soap, glass cleaner liquid, and one of those “mixed flavours” bags for cakes in which there’s vanillin, cinnamon and so on. It’s a bit powdery, a bit resinous, a bit woody, a bit clumsily close to many “white” musky gourmands, with a horrifying plastic heliotrope note – never smelled such a bad one in my experience (the same for carnation, as soon as you get it). Plus, it’s much powerful, and cloyingly persistent for hours. On the (heavily linear) drydown it pops out at some point a sort of oudish whiff, but it’s barely perceivable and smells more just like a hint of rubber. Cheap to any extent and unworthy the price, even if it’s too low.

4/10

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Amber Wood

Despite its name, Amber Wood is much more dark and dry than it may seem. I would have called it “Leather Wood”, or even “Leather Oud”: it opens with a really bitter and dark leather accord with smoky woods (birch, vetiver, and something even more nutty-rubbery, like synthetic oud), and almost nothing else except a faint, yet perceivably warm resinous base accord, and a note which reminds me of violet, with a dirty aftertaste of earthy patchouli. A salty (and quite “niche”, if you ask me) hint of ambroxan evokes the “ambergris” smell and “rounds” the blend with a musky-grey touch. On the drydown, vetiver takes a prominent place with leather, labdanum and other woody debris. Basically I would place this somewhere between some mainstream violet-leather-smoky scents (like Jil Sander Man), a couple of vintage dark fougères (like Arrogance pour Homme EdP, mostly for leather and patchouli), and finally, as for Rose Oud by this same brand, a lot of Montale scents – especially their “dark” range (Dark Oud, Black Oud and so on). It’s much, much similar to them in fact, overall syntheticness included. Don’t expect any masterpiece, but it’s fine, actually not bad at all: it’s bitter, dark, smoky, dirty and much “black”, perhaps a tad tacky and clumsily trendy, with surely an overall barely decent quality; but it works. For all lovers of dark leather/oud scents, an extremely cheap and affordable alternative (this cost me 12 euro for 100 ml, worth having just for fun). The same opinion I expressed for Rose Oud applies here too: if it was a niche scent (and believe me, it could totally be) with a niche price, I would have rated it with a 5 on 10, or even less, because for me the price and the market positioning are part of the product, and must be taken into account. While here, you can’t really argue on the price, which is more than honest – and that is enough for me to respect Amber Wood (but anyway, it smells nice too).

6,5-7/10



Niche poop roundup # whatever

You missed that, didn't you?

Seriously, save your money.

No years, no photos, no nothing - it's niche poop's shame corner!




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Fruits of the Musk by Montale 

Fruits of the Musk is a completely, desperately synthetic fruity scent, as much milky-syrupy as pungent and artificial. White vanillic musks on the base, together with a dry, dusty and artificially earthy note of patchouli. That’s it, perfectly identical to itself for hours. Boring, cheap, plain, with the same quality, elegance and creativity of the worst celebrity fragrance out there.

4/10

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Oud by Robert Piguet

Harsh, metallic, powerful opening of aldehydes, cloves and other spices, Iso E Super, something slightly sweet-resinous and an almost unperceivable note of synthetic oud (which basically smells like just being “created” by the juxtaposition of aldehydes and some chemical rubber-ish aromachemicals). The only “realistic” note I get is the fir balsam, which is quite powerful together with aldehydes and spices. I don’t get why they called it “Oud”, as it’s basically all about aldehydes, spices and fir balsam. After some hours (I mean 6 or 7) you get more clearly what remains of the note of synthetic oud – not that this is an added value, as it feels like: “where the hell have you been?”. Pungent, artificial, incredibly powerful (like many other new Piguet’s): a tacky, clumsy, annoying and remarkably unpleasant bomb of metallic-synthetic stuff which has not the slightest resemblance to oud – and more sadly, to Piguet’s old trademark quality. I’ll not beat a dead horse, but: horrible!

3/10

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Soleil de Capri by Montale

A terrible citrus-fruity candy, as much realistic and intriguing as a chewing gum, with (synthetic) pungent green notes and a milky base of white flowers and musk ketones. Clumsy, cheap and sickening.

4/10

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Notes by Robert Piguet

At the first sniff Notes smells like a ton of cheap, mass-marketed colognes: a dull bergamot-citrus note with aromatic neroli, synthetic mossy woods, a hint of evernyl (synthetic oak moss), something vaguely floral (lavender) and some aromatic fruity notes. I don’t want to sound pretentious with all these “something” but that is what I smell – generic plain stuff, precisely like in any mall’s fragrance or deodorant. To which Notes smells quite similar in fact, basically it is a generic “whatever” masculine aromatic citrus-woody cologne. Both uninspired, as it sits close to the cheapest [insert inexpensive chainstore brand] scent’s around, and even within this lack of creativeness or at least “elegance”, particularly clumsy and cheap-smelling. So basically it’s boring and not even nice. The price is pure highway robbery to me, and that is part of why my review may sound too grave. Let’s stick to vintage Piguet’s and pretend the brand doesn’t exist anymore...

4/10

(I forgot to specify that after the first sniff nothing changes for hours)

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Tumultu by Les Liquides Imaginaires

Possibly the least “tumultuous” fragrance I’ve ever tried. A quite simple cedar-sandalwood scent stuffed with Iso E Super and at least another woody-ambery aromachemical, with a hint of tart citrus notes on head, a general overall feel of sweet glossy grayness with a slight creamy substance. All artificial, but not enough to carry some “abstractness” or whatever creative meaning for me – just more plain boring. Plus, it quickly loses the few barely interesting facets (notably the initial “invigorating” clash between citrus notes and woods) becoming an endless straight line of Iso E sweetened by a pale debris of sandalwood, and hint of vanilla perhaps. For hours. Not stinky, but cheap, unsubstantial, uncreative and pretentious; surely unworth being considered “niche”, if the term still has some meaning and value – which apparently has not anymore (I’d give this a higher rate if it was a 20 EUR mainstream scent; but it’s not).

4,5-5/10

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Safari Moon by Memo Paris

Safari Moon opens with a fresh, minty-balsamic floral accord without praise or blame, a generic and fairly synthetic bunch of flowers with spices (mostly tonka), citrus head notes, light woods on the base which will then emerge better, notably vetiver. It may sound uninteresting, and in fact it totally is. An uninspired, generic (which here means: “like hundreds of others”) barely decent green-woody-floral Oriental scent on the fresh-aromatic side. Linear drydown. Boringly pleasant, but nothing really “niche”. To quote alfarom on Basenotes: “designer in disguise”. My low vote is also due to the fact that I’ve seen this bottle of boredom on sale in Italy for some 140 EUR for 75 ml, which sounds like a prank, but sadly it’ not. Parvenus' stuff, and another Memo I wouldn’t care for.

4/10


Brace yourself - some niche poop (again).

No images, no noses, no dates - the poop doesn't deserve any of that. Just a black list of names.

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Mon Nom est Rouge by Majda Bekkali 

Given the brand positioning, the price, the "artistic" pretenses, just one word comes to my mind now that it's some 5 hours I am wearing this: pathetic. True pathetic contemporary niche perfumery. Mon nom est rouge is a plain blend of chemical boredom, stuffed with Iso E with a whiff of citral (all that luminous, slightly sparkling incense-like thing) and synthetic amber/ambrette molecules (cetalox, ambroxan, ambrettolide, who cares), and some vague, clumsy, random hints of tonka, flowers, fake mossy notes, fake earthy thingies - just to pretend it's not really about 2 aromachemicals any toddler can put together. But basically it's all about synthetic ambers and Iso E. Now I love purely synthetic scents, *but* only when they're admittedly artificial, and they get creative, playful, smart on that – it's always a matter of honesty and consistency to me. None of which happen here. This fraudulent nonsense about roses and elemi and stuff is hilarious (pretty much like the cow crap-shaped bottle). Now ok, I'll stop the rant, but seriously... no.

3/10

Embruns d'Essaouira by Montale

A horrendous calone-menthol scent halfway a random 1990's ozonic fragrance and Colgate toothpaste, on a synthetic, metallic and slightly salty woody base with the same supermarket quality of the calone note. Had to scratch it off earlier than expected (yes, it's *that* bad), so I can't judge about the persistence, but I do hope it's short.

3/10

Forbidden Games by By Kilian

Forbidden Games is another completely synthetic (in a cheap and un-creative meaning) fruity-floral bomb, a galaxolide and ketones galore supported by vanillin. Fresh and sweet, loud and plain, dull and teenish. Unworthy any price above 10 dollars (please don't tell me how much it actually costs).

4/10

Truly by MariaLux

A synthetic bath soap scented with (synthetic flavours of) iris, white flowers, mint/basil, patchouli, amber, with a vague attempt to reminisce classic floral scents à la early Chanel. It does not stink, actually it smells good, as good as a liquid soap – and not only for the soapy notes, I mean literally, quality-wise too. Shallow and dull to any point of view, plus with a depressing, arrogant tendency to emulate classics with cheap quality materials and no creativity whatsoever. Go get the worst Chanel or Guerlain, it will still be better than this nonsense.

4/10

Le Vainqueur by Rancé 1795

Le Vainqueur ("the winner") by Rancé 1795 is similar to all extents to any masculine cheapie from the 2000s, stuffed with calone, melonal, aldehydes, ambroxan (and other typical delicacies of the XVIII century). A white/azure scent, artificial and metallic, even interesting in its own way for the abstractness of the notes – it does not smell of almost "anything" clear, just pure synthetic nowhere, a series of metallic-aquatic-green suggestions, cold and decontextualised, true to life like a Windows '98 background image. More than to cheap designers, perhaps it is even more similar to floor cleansers. I do not get the placement of such a type of scent in a "neoclassic" line. Ugly per se, and most of all, ugly for the price and the pretentiousness of another made-up "historical" brand (founded in 2003).

4/10

Irish Leather by Memo Paris

Irish Leather opens with a bitter, minty green-citrus accord of lime, juniper berries, something peppery and something fruity on the base (bitter-fruity, like berries), and as for Italian Leather, a depressing, microscopic "leather" accord built on a mediocre smell of synthetic burnt rubber. Here (luckily, perhaps) this "leather" note is however oppressed by the head pepper-juniper-citral accord, which lasts for hours. If you're into leather scents, compare this to any - even the worst - vintage leather scent and laugh hard ("laugh for not cry"). Outrageous price tag.

4/10