Nose: Bertrand Duchaufour
I’ve never been a fan of L’Artisan fragrances, let alone the uncontrollably prolific Bertrandingo. But one thing I’ve to admit – in the extremely seldom circumstances where they both work at their best, with decent budgets and some solid inspiration, the results are great. And this is definitely the case. This is easily one of the best woody-iris scents on the market, brilliantly succeeding in blending the utmost versatility and wearability with a tremendous level of creativity and quality. Basically I agree with the reviews (including Luca Turin’s one in his Guide) which connect Dzonghka to Timbuktu, as this is indeed basically Timbuktu with iris, which is amazingly blended within that peculiar sort of transparent cypress-woody and subtly leathery structure adding a powdery, rooty, dry and earthy-waxy texture which fits it just perfectly. It’s like to smell the smoky, greenish, autumnal “papery” woodiness of Timbuktu shyly blossoming in early March. Not a “floral triumph”, just some faint, pastel, still quite dark accent of rooty-floral notes rising from the soil, soon joined by a subtle, warm tea note. This is pretty much of Dzonghka smells, and it’s just achieved perfectly. It’s graceful, elegant, natural, breezy yet very cozy: no cheap musks, no plastic iris. The concept is simple, the execution is clever and well mastered. Just some genuine, palpably realistic sprinkle of orris powder on smoky woods with a “mineral” salty aftertaste and a slighty touch of sweetness which will grow in strenght on the (impeccable) drydown. It’s poetic, complex yet quite straightforward, masterfully executed keeping Timbuktu’s great ability of smelling “airy” but totally substantial. And it smells fantastic anyway. Heart-warmingly austere and very classy. Plus, finally a decently-projecting, decently persistent L’Artisan, for God’s sake. Recommended!
8-8,5/10
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